This week would have been the opening of the Architecture Biennale in Venice, now postponed until this time 2021. In 2018, a project about the extraordinary 1972 theater of Pietro Consagra was center stage in the Italian pavilion. When I got to Gibellina and saw it, even with the debris in front and the disrepair, it was still one of the most beautiful structures, an example of this visionary sculptor's who envisaged each inhabitant would be transformed – in a “The Frontal City”, so they could "experience art...to keep oneself suspicious, susceptible, nervous, intolerant, evasive, enthusiastic, balanced, unbalanced, attentive, aggressive, lazy, imaginative, libidinous, free, ungraspable.” Consagra continued,  “We no longer wish to live in cubes, nor in spheres or tubes. We do not want to end up in conventional dimensions dictated by the standards of mass production. We do not want to live within any concept of normalization...Whatever space we happen to use must be mobile, temporary, transparent, paradoxical and amenable to fluctuating ideas. It must evade the eternal structures of Power”. Today an effort is still ongoing to bring this utopian structure back to life.